Mark Lewis |
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Solo Exhibitions |
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2017
Mark Lewis, Daniel Faria Gallery, Toronto, Canada |
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Mark Lewis – Galveston, The Contemporary Austin, Texas, USA | |
Mark Lewis – Canada, The Art Gallery of Ontario, Ontario, Canada |
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2015
Power Plant, Toronto, Canada |
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How to learn from things that don’t exist, Serralves Museum of Contemporary Art, Porto | |
Le Bal, Paris, France · curated by Diane Dufour and Chantal Pontbriand | |
Mark Lewis: Five Landscapes, Canada House, London |
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2014
Mark Lewis, Musée du Louvre, Paris, October · curated by Marcella Lista |
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How to learn from things that don’t exist, 31st Sao Paulo Biennial, Sao Paulo | |
Mark Lewis, Daniel Faria Gallery, Toronto, Canada | |
Mark Lewis, Real DMZ Project, Seoul, South Korea |
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2013
Mark Lewis, Charles H. Scott Gallery, Vancouver, Canada · curated by Cate Rimmer |
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Mark Lewis, L’Espace de l’Art Concret, Château de Mouans, France · curated by Fabienne Fulchéri † | |
Mark Lewis, Vancouver Art Gallery Offsite, Canada · curated by Diana Freundl | |
Mark Lewis – Pull Focus, Van Abbemuseum, Eindhoven, Nederlands · curated by Diana Franssen |
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2012
Mark Lewis: Man, Daniel Faria Gallery, Toronto |
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Art Gallery of Hamilton, Ontario, Canada · curated by Mellisa Bennett |
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2011
Mark Lewis, Kunsthalle Winterthur, Switzerland · curated by Olivier Keilmayer |
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Sert Gallery, Carpenter Centre, Harvard University, USA · curated by Dominique Bluhrer | |
Mark Lewis, Volker Bradtke, Dusseldorf · curated by Adam Harrison |
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2010
Mark Lewis, Monte Clark Gallery, Vancouver, Canada |
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Mark Lewis, Forte di Bard, Aosta, Italy · curated by Nicolleta Pallini † | |
The Film Effect, Forum Expanded; International Film Festival Berlin, Canadian Embassy, Berlin, Germany · curated by Stefanie Schultz Strathaus | |
Mark Lewis, Crawford Art Gallery, Cork, Ireland · curated by Dawn Williams |
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2009
Mark Lewis, Museo Marino Marini, Florence, Italy · curated by Cristiana Collu and Saretto Cincinelli |
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Cinecity Presents: Mark Lewis, University of Brighton Gallery, Brighton · curated by Frank Gray | |
In a City, Justina M. Barnicke Gallery, Toronto, Canada · curated by Barbara Fischer | |
Clark & Faria, Toronto, Canada | |
Art Gallery of Ontario, Toronto, Canada · curated by David Moos | |
Mark Lewis: Cold Morning, Canadian Pavillion, 53rd International Art Exhibition-La Biennale di Venezia, Italy · curated by Barbara Fischer † | |
Man_Museo de’Arte Provincia di Nuoro, Sardinia, Italy · curated by Cristiana Collu and Saretto Cincinelli † | |
Jeu de Paume, Maison d’Art Bernard Anthonioz, Nogent-sur-Marne, France · curated by Marta Ponsa |
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2008
Akademie der Bildenden Künste Wien, Vienna |
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Le Grand Café Centre for Contemporary Art, Saint Nazaire, France · curated by Sophie Legrand Jacques | |
Screening, Philadelphia, USA · curated by Matthew Suib | |
Indianapolis Museum of Art, USA · curated by Sarah Urist Green |
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2007
BFI Southbank, London · curated by Elisabetta Fabrizi |
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Mark Lewis: Modern Time, Vancouver Art Gallery, Vancouver Canada · curated by Grant Arnold | |
Galerie Aréna, Ecole Nationale Supérieure de la photographie d’Arles, France ‡ | |
Centro Andaluz de Arte Contemporaneo, Sevilla, Spain · curated by Jose Lebrero Stals | |
PS1 international project, Long Island City, New York, USA · curated by Klaus Biesenbach | |
Spike Island, Bristol · curated by Lucy Byatt and Karen Allen | |
Galerie Cent 8, Paris, France | |
Musee d’Art Contemporain, Montreal Quebec, Canada |
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2006
Fact, Liverpool, England · curated by Karen Allen † |
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Musee d’art Moderne du Grand Duc, Jean, Luxembourg · curated by Clément Minighetti and Monica Portillo † | |
Monte Clark Gallery, Toronto, Canada | |
Arthur Ross Architecture Gallery, Buell Hall, Columbia University, New York · curated by Mark Wasuita | |
Monte Clark Gallery, Vancouver | |
Musée-château d’Annecy, France |
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2005
Hamburger Kunstverein, Hamburg Germany · curated by Yilmaz Dziewior † |
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The National Museum of Contemporary Art, Bucharest, Romania · curated by Ruxandra Balaci and Enrico Lunghi † | |
Triple Candie, New York, USA | |
Casinio Luxemburg, Luxemburg · curated by Enrico Lunghi ‡ | |
Internationale Kurzfilmtage Oberhausen · curated by Pier-Luigi Tazzi and Lars Henrik Gass † | |
Galerie Cent 8, Paris, France | |
Queens Hall, Hexham, England · new film commission, Arts Council of England | |
Modus Operandi, City of London, England, new film commission and public installation in the City of London |
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2004
Monte Clark Gallery, Toronto, Canada |
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Rooseum, Malmo, Sweden · curated by Lena Crone | |
Monte Clark Gallery, Vancouver, Canada |
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2003
Rooseum, Malmo, Sweden · curated by Charles Esche |
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Sala Rekalda, Bilbao, Spain · curated by Chus Martinez ‡ | |
Arco, Madrid · curated by Baert de Baer, Barbara Steiner and Charles Esche | |
Video Cube, FIAC, Paris · curated by Caroline Bourgeois, Myriam Salomon, Gregor Muir and Benjamin Weil |
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2002
Galerie Cent 8, Paris France |
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The Salamanca Art Centre, Salamanca, Spain · curated by Christina Zelich and Steven Bode | |
Kunsthalle Bern, Switzerland · curated by Bernhard Fibicher † | |
Argos, Brussels, Belgium · curated by Paul Willemsen † |
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Selected Group Exhibitions |
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2018
The Street. Where the World is Made, MAXXI, Rome, Italy |
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Rauschenberg Residency, The Robert Rauschenberg Foundation, Captiva, Florida, USA | |
The Eye of the City – From Impressionism to the Present, Kunstmuseum Bonn, Bonn, Germany | |
Invention au Louvre/ Cinema Museum, Deutsches Historiches Museum, Berlin, Germany | |
Loop Festival 2018, Barcelona, Spain | |
Fuori Salone , Forte di Bard, Bard, Italy | |
Site Unseen, Vancouver Art Gallery, Vancouver, Canada |
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2017
Sites of Assembly, Belkin Art Gallery, Vancouver, Canada |
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Bi-City Biennale of Urbanism\ Architecture, Shenzhen Public Art Center, Shenzhen, China | |
say again?, FMAC, Geneva, Switzerland | |
Tableaux Vivants, Foundation Etrillard, Hôtel de La Salle, Paris, France | |
The Still Point of The Turning World, FOMU, Antwerp, Belgium | |
The Very Impress of the Object, Calouste Gulbenkian Museum, Lisbon, Portugal | |
Screening, Houston Cinema Arts Festival, Houston, USA |
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2016
Accueille-moi paysage, Marcelle Alix Gallery, Paris, France |
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Revolt of the Sage, Blain Southern, London | |
Screeing, The International Documentary Film Festival Amsterdam, Amsterdam, Holland | |
Screening, Le Bal, Paris, France | |
Screening, Berlinale, Berlin, Germany | |
Screening, Laura Mulvey’s Collaborations / The Many Lives of Peter Wollen, Whitechapel Gallery, London | |
Screening, The Image-Thing, Plazzo Grassi, Venice, Italy |
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2015
How to talk about things that don’t exist, Serralves Museu de Arte Contemporanea, Porto, Portugal |
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Melancholy Bay, The Morris and Helen Belkin Art Gallery, Vancouver, Canada | |
Picturing the Americas, Art Gallery of Ontario, Canada | |
Screening, Silencio, Paris, France | |
Screening, The Origins of Film, Palazzo Grassi, Venice, Italy | |
Carte Blanche to Mark Lewis – Canada, Silencio, Paris, France | |
Cold War, Hot Peace, Slought Foundation, Philadelphia, USA | |
Screening, TIFF Lightbox, Toronto, Canada | |
2014
How to talk about things that don’t exist, 31st Bienal de São Paulo, Brazil |
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The Small Infinite, John Hansard Gallery, Southampton, UK | |
La déduction de l’auteur, Galerie Michel Rein, Paris, France | |
Somewhat Abstract, Selection from the Arts Council Collection, Nottingham Contemporary, UK | |
Tribute to an Avenue, Coolsigel (various venues), Rotterdam, Netherlands | |
Screening, International film festival Cinema du Réel, Centre Pompidou, Paris, France |
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2013
Screening, Centre Pompidou, Paris, France |
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Screening, Night Contact, London, UK | |
L’altro ritratto, Mart – Museo d’arte moderna e contemporanea di Trento e Rovereto, Italy | |
Appropriated Territories: Attack, Defence and Creation, Nida Art Colony, Lithuania | |
Creation/distruction, Holden Gallery, Manchester, UK | |
Vues d’en haut, Centre Pompidou-Metz, Metz, France | |
Screening, Video Dumbo, New York, USA | |
Screening, Blickle Kino im 21er Haus, Vienna, Austria | |
Taking Time, Surrey Urban Screen, Surrey, Canada |
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2012
Window to the World, Museo de Cantonale d’Arte, Lugano |
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The Long Now, Moore Gallery, Philadelphia, USA | |
Screening, Recontres International Carte Blanche Mark Lewis, Haus Der Kulturen Der Welt, Berlin, Germany | |
Screening, This is Called Moving: Real Time and Cinema Time,, Open City Docs Fest, London, UK | |
Screening, The Loitering Presence of a Rational Actor, The Universal Studio, New York | |
Through a Glass Darkly, Vancouver Art Gallery, Canada | |
It doesn’t always have to be Beautiful, Unless its Beautiful, The Kosovo Art Gallery, Kosovo, | |
Screening, Migrating Forms, Anthology Film Archives, New York, USA | |
Screening, Wisconsin Union Directorate Independent Film Festival, USA | |
Screening, Camera Britannica, Centre Pompidou, Paris · curated by Marie Canet | |
Beirut Experience,Villa Bernasconi, Geneva | |
Screening, How Physical, Tokyo Metropolitan Museum of Photography, Japan | |
Screening, Heidrun Holfstead Exhibition, Bawag Contemporary, Vienna |
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2011
Recontres International Carte Blanche, Centre Pompidou, Paris |
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Pacific Film Archive, Berkley California | |
Capture, Monte Clark Gallery, Toronto, Canada | |
The Crooked Path, Centro Galego de Arte Contemporánea, Santiago, Spain | |
The International Experimental Cinema Exposition, Lincoln, Nebraska | |
The Beirut Experience, Beirut Art Cente, Lebanon | |
MärklinWorld, Kunsthal KAdE, Amersfoort, The Netherlands | |
Bienal De Curtiba, Brazil | |
Martin Szekely, Cente Pompidou, Paris | |
Sert Gallery, Carpenter Centre, Harvard University, USA | |
Vancouver Film Festival, Canada | |
Toronto International Film Festival, Canada | |
68th Venice Film Festival, Italy | |
Recontres Internationales Paris/Berlin/Madrid, Reina Sofia National Museum, Madrid | |
Wolfson Syndrome, Modern Language Experiment, London | |
Maelfi Screening Program, Spike Island, Bristol, UK | |
Movements, Northern Gallery for Contemporary Arts, Newcastle, UK | |
The Crooked Path, Palais De Beaux-Arts, Brussels | |
Big Picture, K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany | |
The Fight, Landmarks, University Austin Texas, USA | |
Down the Garden Path, Art Gallery of GreaterVictoria, Canada | |
The Long Take, Audain Gallery, SFU, Vancouver, Canada |
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2010
le benefice du doute; en fables et en photographies, Hotel Fontfreyde Centre Photographique, Clermont Ferrand, France |
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recalling the shots, Tyneside Cinema, Newcastle · curated by Steven Ball | |
highlights from the cologne kunst film biennale in berlin, KW Institute, Berlin, Germany | |
still moving, The Israel Museum, Jerusalem | |
it is what it is. recent acquisitions of new canadian art, National Gallery of Canada, Ottawa | |
shadow dance, KAdE Kunsthal in Amersfoort, Netherlands | |
gewalt, Kunstverein Wolfsburg, Wolfsburg, Germany | |
asolo art festival, Asolo, Italy | |
expresion en corto , Film Festival, Guanajuato, Mexico | |
Sensational Architecture , Rome, Italy · curated by Camilla Boemio | |
Ikonoklash , Lagos, Portugal · curated by Joanna Callaghan | |
To A Degree Rational , Galleri Gentili, Prato, Italy · curated by Cheryl Kaplan | |
Rotterdam International Film Festival , Rotterdam, The Netherlands | |
CUE: Artists’ Video , Vancouver Art Gallery, Vancouver, Canada | |
Screening: Backstory & Cinema Museum , Winnipeg Film Group, Canada | |
HBOX, New Museum, New York, USA | |
Indie Lisboa’10 International Film Festival , Lisbon, Portugal
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2009
The spectacle of the everyday, 10th Biennale de Lyon, France, curated by Hou Hanru † |
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Toronto International Film Festival , Toronto, Canada † | |
Vancouver International Film Festival , Vancouver, Canada † | |
Schnee: Rohstoff der Kunst · Vorarlberger Landesmuseum, Bregenz, Austria · curated by Tobias G.Natter † | |
Summertime; or Close-ups on places we’ve (never) been · Walter and McBean Galleries, San Francisco | |
5 X 5 Castello 09 · Premi Internacional d’Art Contemporani Diputacio de Castello, Spain | |
Actors & Extras · Argos, Brussels · curated by Paul Willemsen & Thomas Trummer |
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2008
Metamorphosis · Akbank ve Sanat, Istanbul, Turkey · curated by Louise Déry ‡ |
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Western Motel. Edward Hopper and Contemporary Art · Kunsthalle Wien, Vienna, Austria † | |
Printemps de Septembre à Toulouse · Toulouse France · curated by Christian Bernhard and Catherine Pavlovic ‡ | |
L’Été photographique 08 · Centre de Photographie de Lectoure, France · curated by François Saint Pierre | |
Through the looking glass · The Glenbow Museum, Calgary, Alberta | |
Cinematic, or Moving Images Expanded · Insa Art Space, Seoul, South Korea · curated by Jihoon Felix Kim | |
Remakes, Video Casi Cine · Centro de Cultura Antiguo Instituto, Ayuntamiento de Gijón, Spain · curated by Juan-Ramón Barbancho |
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2007
Final Cut · Kunsthalle Osnabruek, Germany · curated by Hermann Noering |
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Paysages/visions paradoxales · Institut superieur pour l’etude du langage plastique Brussels, Belgium | |
The Backlot · Belkin Satellite Gallery, Vancouver Canada · curated by Sophie Brodovitch | |
Mapas, Cosmoginias e Puntos de Referencia· Centro Galego de Arte Contemporanea, Santiago de Compestela, Spain |
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Critical Mass-Kritsche Masse 1 · Kunsthalle Bern, Switzerland | |
Filmische Wahrheiten · Kunstverein Heidelberg, Germany · curated by Johan Holten |
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2006
Le mouvement des images · Musee national d’art moderne, Centre Pompidou, Paris France · curated by Philippe-Alain Michaud † |
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Spooky · Het Gebouw, Utrecht, The Netherlands · curated by Hanne Hagenaars and Theo Tegelaars | |
Projections · University of Toronto, Ontario, Canada · curated by Barbara Fisher | |
Ores Litourgias · Athens, Greece · curated by Pier Luigi Tazzi | |
Designing Truth · Wilhelm Lembruck Museum, Duisburg Germany · curated by Sabine Maria Schmidt † | |
Sound and Vision · Montreal Museum of Fine Art, Montreal · curated by Stéphane Aquin, Kitty Scott and David Moos | |
Canada Dreaming · Kunstverein Wolfsberg · curated by Justin Hoffmann † | |
Art Unlimited · Basel Art Fair, Basel, Switzerland | |
Whitstable Biennial · Whitstable, Kent, England | |
Art Video Lounge · Art Basel, Miami Beach, Florida |
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2005
Experience and Emotion · MuHKA, Antwerpen · curated by Dieter Roelstraete |
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Le Tableau des elements · MAC’s, Musée des Arts Contemporains, Hornu, Belgium † | |
IDYL – As to Answer that Picture · Middelhelm Open Air Museum Antwerp, Belgium · curated by Phillippe Pirotte † | |
Crosstown Traffic · Apeejay New Media Gallery in New Delhi, India · curated by Eddie Berg and British Council | |
In-Corporeo In-Visibile · Man- Museo d”arte, Nuoro, Italy · curated by Pier Luigi Tazzi | |
Weathervane · Oakville Galleries, Oakville, Canada, tours to Ottawa Art Gallery, Ottawa Canada · curated by Karen Love † | |
to be continued../jatkuu · Helsinki Kunsthalle, Finland and tour · curated by Mika Elo and Brett Rogers † | |
Irreducible: Contemporary Short Form Video · CCA, Wattis Institute, San Francisco, California | Miami Art Central, Miami Florida | Bronx Museum, New York · curated by Ralph Rugoff † | |
Variations on the Pituresque · Kitchener Waterloo Art Gallery, Ontario Canada / Musee national des beaux-arts du Quebec, Quebec City · curated by Karen Love and Karen Henry † | |
The Space of Making · Neuer Berliner Kuntsverein, Berlin, Germany / Städtisches Museum Zwickau, Germany / Kuntsmuseum Heideinheim, Germany / Städtische Galerie Waldkraiburg, Germany · curated by Marie Jose † | |
Bo#2 · médiathèque José Cabanis, Espace d’Art Contemporain VKS, Cinéma ABC, Toulouse, France | |
Festival International du Documentaire de Marseille et ARTE · l’Ecole d’architecture de Marseille Luminy, Marseille, France |
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2004
3rd Berlin Biennale of Contemporary Art · Martin Gropius Building, Berlin, Germany · curated by Ute Meta Bauer † |
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Video Dreams: Between the Cinematic and the Theatrical · Kunsthaus Graz, Graz Austria · curated by Adam Budak † | |
Nuit Blanche · various locations, Paris, France · curated by Hou Hanru | |
Dwellan- an exhibition of contemporary video art · Charlottenborg, Copenhagen † | |
Aus aktuellem Anlass · Gallerie Johann König, Berlin, Germany | |
The Cobweb: Collection CGAC and Collection Foundation ARCO · Centro Galego de Arte Contemporánea in Santiago de Compostela, Spain · curated by Miguel Fernández-Cid | |
L’Éveil · l’Espace VOX, Montreal Canada · curated by Marie Fraser | |
Candyland Zoo · Herbert Read Gallery, Canterbury, England · curated by Martin Clark † | |
Re-Makes · Center of Contemporary Art of Salamanca, Salamanca Spain, curated by juan-Ramón Barbancho and Thierry Davilla | |
Institut fur Gleichstellung · Centre, Berlin, curated by Alexandra Hopf | |
Trou Art-Archi · La Galerie de Noisy-le-Sec, Paris France · curated by Hélène Chouteau | |
Spread in Prato 2004 · Prato, Italy · curated by Pier Luigi Tazzi | |
Critica in Opera · Castel S.Pietro, Bologna, Italy · curated by Lorenzo Bruni | |
Rear View Mirror · Kettles Yard, Cambridge · curated by Elizabeth Fisher | |
The Shadow of Production · Vancouver Art Gallery, Vancouver, Canada · curated by Grant Arnold |
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2003
The American Effect · Whitney Museum of American Art, New York, USA · curated by Larry Rinder † |
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Sodium Dreams · CCS Museum, Bard College, Annandale on Hudson · curated by Elizabeth Fisher † | |
Happiness: a Survival Guide for Art and Life · Mori Art Museum, Tokyo, Japan · curated by David Elliot and Pierluigi Tazzi † | |
Art Now: Light Box · Tate Britain, London England · curated by Lizzie Carey-Thomas and Katherine Stout, et al |
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Pour de vrai · Musee d’art contemporain, Tours, France · curated by Aline Pujo | |
Art and Cinema · Musee d’art Moderne, Strasbourg, Strasbourg, France · curated by Julie Pellegrin | |
Turbulent Screen · Edith-Ruß-Haus für Medienkunst, Oldenberg, Germany · curated by Ralf Sausmikat and Rosanne Altstaff † | |
Fate of Alien Modes · Vienna Secession, Vienna, Austria · curated by Constance Ruhm | |
Silver Dreams, Screens and Theories · Art Gallery of Greater Victoria, Victoria BC, Canada · curated by Lisa Baldissera | |
The Group of Seven · Platform Gallery, London · curated by Sheila Lawson | |
Re-Makes · CAPC Musée d’art contemporain de Bordeaux, France · curated by Thierry Davila † | |
Hidden in a Daylight · Cieszyn, Poland · curated by Foksal Gallery Foundation † | |
The Process · Kiasma, Helsinki, Finland · curated by Maretta Jaukkuri † | |
Arte al Centro: la Nouva Agora · Shedhalle, Zurich, Switzerland · curated by Dagmar Reichert † | |
[based upon] TRUE STORIES · Witte de With, Rotterdam, The Netherlands · curated by Catherine David and J.P. Rhem | |
Vancouver International Film Festival · Vancouver, Canada · curated by Mark Peranson |
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2002
The Liverpool Biennial · International Exhibition, Tate Liverpool, England · curated by Lewis Biggs, Eddie Berg † |
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The Mind is a Horse · Bloomberg Space, London, England · curated by Graham Gussen et al | |
Gwangju Biennale · Gwangju, Korea · curated by Hu Han Ru, Charles Esche † | |
Non-places · Frankfurter Kunstverein, Frankfurt, Germany · curated by Nicolas Schafhausen and Vanessa Muller † | |
Spectator Sport · CornerHouse, Manchester England · curated by Steven Bode and Paul Bailey | |
Not a Film · Galerie Tent, Rotterdam, The Netherlands | |
Landscape · Maison de la Culture, Bruges, France · curated by Hubert Bescier | |
Unprincipled Desires · John Hansard Gallery, Southampton · curated by Stephen Foster | |
Arte al Centro: la Nouva Agora · Citta dell’ Arte, Biella, Italy · curated by Dagmar Reichert | |
____† Catalogue ‡ Catalogue forthcoming |